No. Renée Free, Modernism 1900-1950: prints and drawings from the collection, Sydney, 1994. Helen Campbell, Colour, rhythm, design: wood & lino cuts of the 20s & 30s, 'Introduction', pg. ALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. 23.4, Jane Hylton, Modern Australian women: paintings & prints 1925-1945, 'Modern Australian Women', pg. This page was last edited on 11 October 2020, at 20:44. - CRC Press, 2013. Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Art Deco and works from the period (1980), Review: works by women from the permanent collection of the Art Gallery of New South Wales, Art Deco: from Sydney cinemas and pubs to skyscrapers, Australian Collection Focus: Colour, Rhythm, Design - wood & lino cuts of the 20s & 30s, Professor Sadler, Japan and Australian modernism, Modern impressions; Australian prints from the collection. Roger Arthur Butler and Chris Deutscher, A survey of Australian relief prints 1900/1950, Armadale, 1978, 92 (illus.). AU$ 91,500 Artwork is framed. We use cookies to remember choices you make on functionality and personal features to enhance your experience to our site. Description: DORRIT BLACK (AUS) "Music" Decorative print. Regarded as not sufficiently "advanced" by one section, and too "modern" by the other, it will be many years before her exceptional talent can be properly appreciated in its right perspective, as it most certainly will be.[19]. Denise Mimmocchi, Sydney moderns: art for a new world, 'Making Sydney modern: the artistic shaping of the postwar city', pg. Dorrit Black 1891 – 1951. privacy

14-27, Adelaide, 2000, 25 (colour illus. It hosted small but significant exhibitions by artists who became important proponents of Australian modernism, including Roland Wakelin, Grace Crowley, Grace Cossington Smith, Ralph Balson and Rah Fizelle. "[17] Her work was described by critic Ivor Francis as: deeply respected by the more informed section of Adelaide artists.

GST at the current rate of 10% will be added to the Buyer's Premium and charges. Collection of the Art Gallery of South Australia. She settled in Adelaide, South Australia, in the late 1930s with her ageing mother, and painted many landscapes of the Adelaide hills and the south coast. "Air Travel 3: The pineapple plantation" is an example of Black's lino-prints. ‘Music’ was created in 1928 by Dorrit Black in Cubism style. [14][15] The Bridge has been painted in jewel-like colours such as, aquamarine and “shimmering peacock.” The Bridge, by Black, was Australia’s first Cubist landscape. c.1943. [1][2] In 1951, at the age of sixty, Black was killed in a car crash. Inspired by a jazz night at the Dominion Arts Club, London, Black has placed dancing figures and pianist amidst a dynamic, zigzagging pattern of lines and earthy colour to evoke the lively beat of the ‘new’ music. She established the Modern Art Centre in Margaret Street, Sydney in 1931, the first gallery in Australia to devote itself to modernism. Cubism and Australian Art. [13], Black painted the Sydney Harbour Bridge at various stages of construction. colour linocut on thin oriental laid paper.

Music, Art Deco and works from the period (1980), S.H. By continuing to use our site you consent to the use of cookies. Dorothea Foster Black (23 December 1891 – 13 September 1951) was an Australian painter and printmaker of the Modernist school, known for being a pioneer of Modernism in Australia. Not dated. Roger Arthur Butler, Printed images by Australian artists 1885-1955, Canberra, 2007, 205. Deborah Edwards and Denise Mimmocchi, Look, 'Sydney Moderns', pg.

Black then held an exhibition at Macquarie Galleries in Sydney in 1930. ), 154 (colour illus. [11] Black was a finalist for the Archibald Prize for portraiture in 1931. She attended the South Australian School of Arts and Crafts in about 1909, working in watercolors, and attended the Julian Ashton Art School in Sydney in 1915, concentrating on working in oils. She attended the South Australian School of Arts and Crafts in about 1909, working in watercolors, and attended the Julian Ashton Art School in Sydney in 1915, concentrating on working in oils. If you are interested in consigning in future auctions, please contact the specialist department. [2] She brought the styles back to Australia with her in 1929. This was the first of six one-woman shows which were to feature her work.

19, Anna Waldmann, Project 39 - Women's Imprint, Sydney, 1982. no catalogue numbers; not paginated, Unknown (Editor), Sun, 'Art & linoleum cut out pictures with umbrella ribs', pg. This lot has been removed from the website, please contact customer services for more information. For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. [12] The Art Gallery of South Australia purchased her work Mirmande (1928) in 1940. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. Inspired by a jazz night at the Dominion Arts Club, London, Black has placed dancing figures and pianist amidst a dynamic, zigzagging pattern of lines and earthy colour to evoke the lively beat of the ‘new’ music. [3], Dorrit Black was born in the Adelaide suburb of Burnside, the daughter of engineer and architect Alfred Barham Black and Jessie Howard Clark, an amateur artist and daughter of John Howard Clark, editor of the South Australian Register.

Dorrit Black was born in the Adelaide suburb of Burnside, the daughter of engineer and architect Alfred Barham Black and Jessie Howard Clark, an amateur artist and daughter of John Howard Clark, editor of the South Australian Register. inc. premium, I have read, understood and agree to Bonhams. THIS AFFECTS THE BIDDERS LEGAL RIGHTS. Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 142 (colour illus. [5] In 1928, she studied at André Lhote's Academy in Paris. Sasha Grishin, Australian art: a history, 'Dynamic modernism', pg.

[1], In 1927, Black went by herself[4] to London and attended the Grosvenor School of Modern Art, where she experimented with colour linocut printing while studying under Claude Flight.

Tracey Lock-Weir., Dorrit Black: unseen forces, 'The modern medium: colour linocuts', pg.143-167, Adelaide, 2014, 8-9 (col. illus detail),148, 149 (colour illus. Sold for "She captured the energy of the modern age." Accession no: 20142G7. North, Ian, Black, Dorrit, 1891–1951 and Art Gallery of South Australia. [2], Black's lino-prints were integral to her arts practice. Abstraction allowed her to communicate sensation. author unknown.

66-85, Sydney, 2013, 79, 178 (colour illus. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). NOTE: this is not the AGNSW impression. The rising and falling black lines in Music have a compositional rhythm similar to Flight's own prints such as Swingboats, 1921, and Spring, 1926. Rothwell, S. "Artists’ portraits of the Sydney Harbour Bridge." For information and estimates on domestic and international shipping as well as export licenses please contact Bonhams Shipping Department. 31; cat.no. Naval funeral.

Image: 26cm x 22cm, Frame: 46cm x 42cm.

'Music' is one of Black’s earliest prints, made while studying at the Grosvenor School of Modern Art under Claude Flight. She worked mainly in water-colours in the late 1930s and then returned to working in oils.

'Music' is one of Black’s earliest prints, made while studying at the Grosvenor School of Modern Art under Claude Flight. The Modern Art Centre, Margaret Street, Sydney. ), 199 (cat.

[6]Black was influenced by Lhote's "compostional principles of geometric order"[7]. On the ‘Play’ front, Dorrit Black’s Music 1927-8 (see Title Image) was a more vibrant version of Matisse’s The Dance,1909. This auction is now finished. Harding, Lesley, and Sue Cramer, eds. If you have any complaints or questions about the Conditions of Sale, please contact your nearest customer services team. ), 310, 320. It was shown at the first exhibition of linocuts to be held at London’s Redfern Gallery in 1929. colour linocut, printed from five blocks on thin cream laid tissue, 24.1 x 21.3 cm image; 31.1 x 24.6 cm sheet. 1927-28. colour linocut on paper. Music. DB I; NOTE: this is not the AGNSW impression.

It was also one of the first galleries in Australia to be established by a woman. Black was influenced by Flight to use bold geometrical patterns and harmonious colour schemes. edition 10/50; NOTE: this is not the AGNSW impression. Black was strongly influenced by the Modernist and Cubist art movements she was exposed to in London and Paris. Deborah Edwards, Daphne Wallace, Margo Neale, Victoria Lynn and Sandra Byron, Review: works by women from the permanent collection of the Art Gallery of New South Wales, Sydney, 1995. no catalogue numbers; not paginated. linocut printed in brown ink on paper. 13-15, Sydney, Aug 2013, 14. and cookie policies for more information. South Australian School of Arts and Crafts, "Black, Dorothea Foster (Dorrit) (1891–1951)", "Art Sets - 20th Century Australian Art : Cubism in Australia", Dorrit Black: Unseen Forces (2014 Exhibition in Adelaide), https://en.wikipedia.org/w/index.php?title=Dorrit_Black&oldid=983030887, Alumni of the Grosvenor School of Modern Art, Use Australian English from February 2014, All Wikipedia articles written in Australian English, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Gaze, Delia, Mihajlovic, Maja and Shrimpton, Leanda.

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