Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. (Or some combination of several of these!)
She is the author of The Queen of America Goes to Washington City: Essays on Sex and Citizenship, also published by Duke University Press, and The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. .
Need another excuse to treat yourself to a new book this week? A super good and often super depressing read. The Female Complaint is a really useful book if you are looking at melodramatic structure, whether in literature or everyday life.
She is the editor of Compassion; Our Monica, Ourselves: The Clinton Affair and the National Interest (with Lisa Duggan); and Intimacy. I found this scholarly book enormously frustrating, largely because of the force and vigor of Berlant's argument. The Female Complaint: The Unfinished Business of Sentimentality in American Culture.
© 2019 Duke University Press.
The text looks at the conventions of the first structure of mass culture, and the way that it is meant to construct a mode of critique that avoids the political. I will say that it was EXTREMELY interesting to read this book while simultaneously immersing myself in One Direction fandom. Tweet.
A lot of jargon-laden, long sentences make it hard to wade through at times.
2019 Hubbell Medal for Lifetime Achievement from the American Literature Section of Modern Language Association.
It’s like one of those sketches on Sesame Street or some similar show where the character opens a book and all of this sound, a cacophony, bursts forth. “ — Alan Han, M/C Reviews, “As a key to and model for how popular culture contributes to such narratives, The Female Complaint is exemplary.” — Leslie Ellen Petty, Journal of American History, “[T]he book is not an easy read. “The Female Complaint is a brilliant book that brings to point how culture creates the stereotypical woman and how the marketing of this role continues to be exploited through book and film.” — Mary O’Hara, Feminist Review blog, “The Female Complaint is rich with critical analysis that will make significant contributions to the ways scholars theorize American women’s relations to politics, material culture, and each other.” — Sara L. McKinnon, Rhetoric & Public Affairs, “[A] clever and insightful book. . Lauren Berlant is an English Professor at the University of Chicago, where she has been teaching since 1984. I have been needing to invigorate my understanding of the contemporary figure-ground relationship, and Lauren Berlant is everything to that end for me right now. by Duke University Press Books, Female Complaint: The Unfinished Business of Sentimentality in American Culture. As usual, Berlant's prose seemed unnecessarily dense, and detracted from what would have otherwise been a more fluid, enjoyable reading of a subject in which I am very interested. Berlant received her Ph.D. from Cornell University. Her presuppositions about genre being composed of rigid laws that can only be fulfilled in the moment of being broken (the same as Derrida's in his essay "The Law of Genre") are problematic. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. I have no doubt that scholars and students will continue to debate the issues it raises for many years to come.” — Jackie Stacey, University of Manchester. Instead, the genre creates a sense of intimacy by erasing the structures of power that are implicit within such a critique, and creates a sort of sentimental community that always fails even as you embrace it. Berlant acknowledges a side of identity that I agree is important: the possibility that identity performance can be imitation and salve rather than innovation and salvation. You will also have an irresistible craving to watch Now, Voyager one more time, in whatever setting enables you to thrive, and to give this fascinating book to someone who deserves to love better, or to forgive herself for just getting by.” — Mary Poovey, New York University, “Of all the feminist cultural theorists whom I admire, Lauren Berlant is the one I consider to be the most theoretically innovative and politically inspiring.
See author's Pro Connect page > BUY NOW FROM . . I will keep returning to this book as I work through its implications for understanding how to confront a world with such extreme social inequalities.” — Gerda Roelvink, Emotion, Space and Society, “As we have come to expect with Berlant's scholarship, The Female Complaint is a deft contribution to the study of American literature and culture.” — Brenda R. Weber, Contemporary Literature, “By turns sidesplitting and devastating but always revelatory, Lauren Berlant’s new book explores why we insist that what the world needs now is love, and how much we lose in the process.” — Lara Langer Cohen, Criticism, “The Female Complaint advances and refines the relationship between intimacy and publicity in ways that suggestively rethink the category of individuality in late capitalism. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a vi Female characters are still often relegated to the shadows in …
. KIRKUS REVIEW. Berlant achieves that amazing meta-critical task of outlining how the female complaint requires a self recognition of disappointment and longing that makes the reader recognize both in her own life. Theoretically ambitious and cogently argued, funny and invigorating, Berlant’s text promises to profoundly reshape how we think about sentimentality, gender, and affect in American culture.” — Margaret Ronda, American Book Review, “Guiding us through a ‘women’s culture’ animated by scenes of longing for a fantasmatic commonality, an ever-elusive normativity, Lauren Berlant illuminates, in readings unfailingly subtle and wise, the psychic negotiations and emotional bargaining that women in U.S. culture conduct to be part of an ‘intimate public.’ More dazzlingly still, she addresses what the business of sentimentality works to obscure: the possibility of political agency in the face of a cultural machinery that makes us feel helpless to do anything more than affirm our ability to feel. I found this scholarly book enormously frustrating, largely because of the force and vigor of Berlant's argument. The Female Complaint is a really useful book if you are looking at melodramatic structure, whether in literature or everyday life. The Female Complaint.
Welcome back. The Female Complaint. Just a moment while we sign you in to your Goodreads account. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. She is the editor of Compassion; Our Monica, Ourselves: The Clinton Affair and the National Interest (with Lisa Duggan); and Intimacy. Here are some extremely scattered thoughts on that experience.
The Female Complaint. Lauren Berlant is the recipient of the 2019 Hubbell Medal for Lifetime Achievement from the American Literature Section of Modern Language Association.
Aucun commentaire n'a été trouvé aux emplacements habituels. The Female Complaint. Lauren Berlant is the George M. Pullman Professor of English and Chair of the Lesbian and Gay Studies Project at the University of Chicago. Goodreads helps you keep track of books you want to read. . She makes a persuasive case for middlebrow women's culture as a space in which frustration with the status quo (capitalism and its discontents) gets articulated, bargained with, and recast into (variously) utopian aspiration (the possibility for revolution never present, the hope for reform--inadequate in Berlant's view--always there), repeated despair, cliché, or identity imprisonment. is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification.. She is the author of The Queen of America Goes to Washington City: Essays on Sex and Citizenship, also published by Duke University Press, and The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. She makes a persuasive case for middlebrow women's culture as a space in which frustration with the status quo (capitalism and its discontents) gets articulated, bargained with, and recast into (variously) utopian aspiration (the possibility for revolution never present, the hope for reform--inadequate in Berlant's view--always there), repeated despair, cliché, or identity imprisonme. . The Female Complaint book.
Read 10 reviews from the world's largest community for readers. Start by marking “The Female Complaint: The Unfinished Business of Sentimentality in American Culture” as Want to Read: Error rating book. Refusing to dodge the really searching political questions for contemporary American culture, Berlant maps the tricky terrain of the intimate public sphere. Tales Of Unruly Women.
Lauren Berlant is the George M. Pullman Professor of English and Chair of the Lesbian and Gay Studies Project at the University of Chicago. SubjectsAmerican Studies, Cultural Studies > Affect Theory, Gender and Sexuality > Feminism and Women’s Studies.
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